Some political films for activists and organizers: An essay in fragments
Immunitarian politics and Todd Haynes's "Safe": Some observations
Note on the task of criticism of the arts today
Note on the failure of "Joker"
Images of neoliberalism: Reflections on "Ema" (Pablo Larrain), "A Fantastic Woman," and some related matters
Social life as terror: Cristian Mungiu, "4 Months, 3 Weeks, and 2 Days"
Against "Cinemania": On the culture of seeing films as art and obsession. (Interview with Bill Heidbreder of the film “Cinemania”).
Miklos Jancso's "The Round-up" (1965): A manual for activists, prisoners, and police
A short note on the cinema of Agnès Varda and what it matters (RIP, February 2019).
Pawel Pawlikoswki’s “Cold War”
The question of healing transformations and the (Black) experience: “My Third Eye” by Nova Scott-James
Visconti, "White Nights"
Philosophical reflections on the Holocaust film, "Sophie's Choice"
"Manifesto": Avant-garde discourses in landscapes of neoliberal ruin
"Baby Driver": Between Coolness and Coldness
"Those who are fine" (Cybil Schaublin, 2017) are not fine: On certain powers of abstraction
Ruben Ostlund, The Square
Reflections on the Philippe Garrel retrospective in New York
Seven propositions on Godard and cinematic modernism
The enigma of a "Personal Shopper": Olivier Assayas, "Personal Shopper," with Kristin Stewart